Without One Knowing
Drawing from historical events that affect children's lives–from wars to school shootings–this series of paintings reflects on the connections between memory, violence, and translation.
Repice frequently centers children in her work, exploring how physical and psychological violence leave lasting effects on the body, heart, and mind. Her paintings capture children's emotional states and environments, from objects resting on their desks to the broader world outside their windows.
These works contemplate the aftermath of violence, examining scapegoating as a societal response and its intrinsic connection to the human condition.
